Oyaide NEO d+ Class B TRS Cable (1/4" TRS to 1/4" TRS) — Green

Ever pushed a fader up and gotten a wall of hum staring back at you? That maddening buzz that gets worse the longer your cable run? That's the sound of an unbalanced connection collecting every bit of electrical junk in the room. The Oyaide NEO d+ Class B TRS is the fix. This balanced 1/4" TRS cable actively fights that noise — so what leaves your gear is what lands at your speakers, clean and quiet, no matter how long the run or how ugly the booth's electrical situation gets. 🔇

TRS vs. TS: Why the Extra Ring Matters

Here's the thing a lot of people miss: a TS cable and a TRS cable can look almost identical at a glance, but they do wildly different jobs. That extra "ring" on a TRS plug is the whole game.

A standard TS (unbalanced) cable carries your signal on a single conductor. Great for short instrument runs, but it works like an antenna — the longer it gets, the more hum, dimmer buzz, and RF hash it soaks up on the way to your mixer.

A TRS (balanced) cable runs your signal on two conductors instead of one, carrying the same audio in mirror-image polarity. When the two meet at the other end, any noise picked up along the way gets flipped and cancelled out — while your actual audio doubles up clean. It's called common-mode rejection, and it's the single biggest reason your signal stays dead quiet over a 3-meter run behind a rack full of gear.

Bottom line: if your run is longer than a few feet, or your booth is an electrical warzone, TRS is the move. This is the cable that keeps your low end tight and your top end sparkling when TS would leave you fighting hum all night.

Why the TRS Earns Its Spot in Your Bag

• Balanced connection = dead-quiet signal — Two conductors plus common-mode rejection slam the door on hum, dimmer buzz, and RF garbage over the whole run. Longer cables, zero added noise.
• 18AWG high-purity oxygen-free copper — The OFC conductor is built to minimize signal loss and push a pure, dense signal from source to rig. Punchy lows, crisp highs, nothing muddy in between.
• 24K gold-plated bronze alloy terminals — Corrosion-resistant contacts on the RCA and TRS ends grip tight and hold rock-solid, plug after plug, gig after gig. No crackle, no flaky dropout mid-set.
• Flat twisted reverse concentric structure — More than a slick look. This layout keeps impedance steady through every coil, bend, and twist, killing the distortion that plagues cheap round cables the second real-world stress hits.
• Three lengths, no compromises — 1.0m, 2.0m, and 3.0m, so you match the run to the rig instead of coiling slack or stretching a cable an inch too short.

The Build Doing the Heavy Lifting

Toughness is baked into every layer. The polyolefin insulator and flexible PVC sheath let the cable flex without fatigue through endless coils and cram-it-in-the-bag load-ins, while the PBT + glass fiber housing locks the connectors rigid right where the strain lives. That's the whole d+ Class B promise in a nutshell — near high-end audio quality at a price a working DJ can actually justify. And in that unmistakable d+ green, you'll spot it instantly in a knot of black cables when you're setting up against the clock.

Who It's For

• The club DJ running longer cable runs from mixer to interface or active gear who refuses to fight hum all night
• The producer feeding balanced sources between mixer, interface, and monitoring for a clean, quiet signal path
• The sound engineer patching balanced connections on a stage or studio rig that has to stay silent under pressure
• The audiophile who understands the difference balanced makes and wants it without paying flagship prices

Beginner learning why balanced matters, or road-tested pro who's survived a thousand load-ins — the TRS slots right in and disappears into the background, exactly how a great cable should behave.

Product Specifications

Stop letting hum sabotage your signal — add the Oyaide NEO d+ Class B TRS to your cart today and hear what a truly balanced, dead-quiet connection does for your sound!